Enigma - New Work for Bletchley Park

Further new work for Bletchley Park is now live, commissioned by the good folk at Rose Design. 

I was asked to photograph the Enigma machine. It was both fascinating and a privilege spending time with such a historically significant piece of equipment, one which was indirectly responsible for saving so many lives through the cracking of it's code. 

Bletchley Park is the home of the World War II Codebreakers. There’s so much world changing history that’s been made here, it is a truly fascinating place. I’d recommend that anyone with an interest in World War II, coding or code breaking, spend a day here.

Client : Bletchley Park.    Agency : Rose Design.    AD : Garry Blackburn.

One of the ads is shown below, with more of the work available to see here.

Ad Campaign For Network Rail

The lovely folk at 23red, commissioned me to shoot a series of atmospheric ads for Network Rail, for their Midland Mainline Safety poster campaign.

The imagery had to be used across 6, 48 and 98 sheet sites, and so I chose to shoot on my ALPA 12 MAX and PhaseOne IQ MFDB combo, in order to achieve the largest possible file size and resolution.

A big thank you to the Network Rail safety team that watched our bright orange backs, while we worked.

Client : Network Rail.    Agency : 23red.    AD : Tristan Cavanagh & Tom Mann.

Below are 3 of the 48 sheet ads..   

Canaan Vineyard workers

I was recently commissioned to shoot a bank of imagery for the Canaan Winery, in China. Over the week we shot a mix of landscapes, working portraits and industrial architecture, which I'll be able to share later this year.

On our last day we had a few hours spare, and so I suggested to Neil the art director, that we shoot some portraits of the vineyard workers, whose infectious smiles and laughter had captivated us all week.

A makeshift daylight studio was set up close to the vineyard canteen and we made around twenty portraits. You can find a selection of them here.

Client : Canaan Winery.    Art Director : Neil Southwell.

The View From The Shard

New work commissioned by the good folk at Rose Design, for The View From The Shard is now live.

We were given special access to shoot at dawn and dusk, over a number of days. The views of London from this iconic building really are truly breathtaking. 

"Designed by Master Architect Renzo Piano, The Shard has redefined London’s skyline and quickly established its place as a dynamic symbol of London.

At a height of up to 800ft or 244m, and at almost twice the height of any other vantage point in London, visitors will experience unrivalled 360 degree views over the city for up to 40 miles on a clear day.

Begin your journey in our extraordinary high-speed lifts that carry you from Level 1 to Level 68 in sixty seconds. Once there, enjoy spectacular panoramic views of the capital from our Level 69 observation deck whilst unwinding with a glass of champagne, or share a moment with a loved one spotting London’s famous landmarks from our open air sky deck on Level 72, where exposed to the elements you can take in the atmosphere and sounds of the city below"

Below are just 3 of the 48 sheet posters from the ongoing campaign..

Client : View From The Shard.    Agency : Rose Design.    AD : Garry Blackburn & Simon Elliott.

Bletchley Park Codebreakers

New work for Bletchley Park is now live, commissioned by the good folk at Rose Design. 

Bletchley Park is the home of the World War II Codebreakers. There’s so much world changing history that’s been made here, it is a truly fascinating place. I’d recommend that anyone with an interest in World War II, coding or code breaking, spend a day here.

We certainly reaped the rewards of the 03:30AM call time, as you can see below. More of the work available to see here.

Client : Bletchley Park.    Agency : Rose Design.    AD : Garry Blackburn.

Ash Soan Portrait For Zildjian

I recently had the good fortune to work with drumming legend and all round lovely human being Ash Soan, recent winner of Modern Drummer’s 2017 Readers Poll ‘Studio Drummer’ award, making him the first U.K. artist to win this category since Simon Phillips did so in 1987. 

We shot his portrait for world renowned cymbal makers Zildjian, who look after all of Ash’s cymbal needs.

The cymbals you see in this shot are from the new ‘Zildjian K Custom Special Dry’ range.

Location was Ash’s recording studio ‘Windmill Studios

New Work For GE Oslo

New work for GE is now live.

The GE Oslo shoot was a perfect example of a team effort. We were working under reasonably tight time and location constraints, shooting real people in their busy working environments, and so we had to remain as flexible as possible. Working with an experienced and flexible art director meant we could quickly explore visual ideas as they presented themselves, and working with a seasoned production crew meant we could work unhindered, knowing everything was at hand.. and all I had to do was think about making the pictures. It was a memorable shoot, and for all the right reasons.

Some kind words from Seven Stones’ creative director, Justin Earl.. “Working in Oslo with Julian and his team on this four-day shoot was an absolute pleasure. He knew exactly what we wanted to achieve with each shot, shooting in some very challenging industrial spaces. The brief for this shoot was about capturing the characters and stories of real employees and we did exactly that, thanks to the way Julian made everyone feel very much at home in front of his camera.”

Client : GE.    Agency : Seven Stones.    AD : Justin earl.

Below is a small selection of the work we made, with more examples available here.

Lotus For Seven Tenths

I was commissioned by Seven Tenths Dive Wear to shoot this image of the iconic lotus position for in their marketing campaigns and clothing line. 

It was shot early one evening while hovering in the deep blue off the coast of Little Cayman. 

Thanks go to dive buddy Kim Linford for her patience, as holding this pose underwater is a lot harder to achieve than you might imagine!

I used a Subal housed Nikon F90x and Nikkor 16mm ƒ2.8 lens, and Fuji NeoPan 400 with the final image coloured on system.

Ad Campaign For Amgen

This Ad campaign for Amgen took us to Iceland, Bavaria and Morocco.

For logistical reasons we shot the various locations first, and then shot the models in the studio in London, carefully matching camera heights, angles and lighting. The blood platelets were created in CGI and added in post.

Agency : CDM London.    Client : Amgen.    AD : Shauna Kealy.   Location scout : Leonora Sheppard.   Post and CGI artist : Kai Bastard.

Below is a selection of the finished ads..

New Interiors Ad Campaign For Marston & Langinger Paint

Ad campaign shot recently for Marston & Langinger, promoting their range of beautiful paint.

We built a series of minimally propped room sets with expansive wall space, creating the perfect stage for these gourgeous paint finishes to sing from.

The ads are currently appearing in World of Interiors, Elle Decoration, Country Living and House and Garden.

Client : Marston & Langinger.    AD : Alison Jenkins.    Stylist : Alison Jenkins.

A selection of finished ads..

3 month Production for Virgin Media Business

Last year we were comissioned to shoot a library of images for Virgin Media Business. Now the product is launched we can finally talk about it.

The production spanned 3 months in total (60 working days) - from sign-off to final delivery of images.

Casting - we cast approximately 400 models over 3 days, in order to find a total of 68 people (47 adult models, 5 child models, 6 teens, 2 policemen, 5 firemen & 3 extras)

Locations - we scouted and permitted 14 locations over 23 days.. A hospital reception, an x-ray room, a school, 5 x offices with server rooms, a modern house, a civic centre, a recycling plant, an empty industrial space to park our fire engine, a roundabout on an A-road to park the police car, car parks and loading bays to park engineers vans etc.

Styling - the stylist, Natasha Freeman, had to work solidly for 25 days gathering all of the relevant wardrobe & prop items for this shoot. To name but a few...90 different outfits & accessories, server cabinets, computers, telephones, head-sets, plants, garden furniture, desks, tables and much more...

Travel - We hired mini buses, winnebagos, a cherry picker, dust carts, JCB’s, a police car, a fire engine.. oh, and a Land Rover.. you name it, we had it! 

Catering - over 200 mouths were fed over the period of the shoot, that’s a lot of food!

Agency : Design UK.    Art Director : Pieter Van Loon.    Stylist : Natasha Freeman @ LPA/Style.   Hair & make-up : Hannah Marshall @ LPA /Style.    Shoot production : Holly Brooks @ LPA/Production. 

Below is selection of imagery from the shoot, with larger versions here.

Young Vine Sunrise In Paarl, For Nederburg

Location shoot of young vines growing near Paarl on the Western Cape of South Africa, for Edward Dillon and Nederburg.

We had a window of around 30 seconds in which to capture the sun breaking the mountain line. The shot wouldn’t have been nearly as controllable without the help of The DoP Shop’s Solar viewing glass, which allows safe viewing of the sun..

Agency : Chemistry.  Client : Nederburg   AD : Nicole Sykes.  Shoot production : Leonora Sheppard.

Below is one of the press ads.

The Perfect Bunch For Nederburg

We spent 5 days in the beautiful Sonoma County area of California searching for, and shooting, the perfect bunch of grapes for Edward Dillon and Nederburg.

We shot a mixture of aerials, landscape and close ups.

Agency : Chemistry.  Client : Nederburg.   AD : Nicole Sykes.  Shoot production : Leonora Sheppard.

Below are two of the press ads..