Alpine Passes for The Road Rat magazine

I got a call from my old friend Mikey Harvey.. how did I fancy shooting a series of Alpine passes for a new premium automotive magazine called The Road Rat? Of course I said yes.

With three locations chosen, a couple of Michelin maps in the glove box and hotel and Eurotunnel reservations made, Claire and I hit the road.. After 5 long days, 146 caffè lattes, numerous marmot encounters and with 1987 miles behind us.. we were back.

The mountain passes were truly breathtaking and recording them was not a straight forward task. Instead of cropping a single super wide shot, I decided to shoot panoramics using the ALPA 12 STC, ALPA HR Alpagon 4.0/40mm SB17 and a nodal rail. The scenes before us were so vast that some of them required 12 stitched frames.

You can see a small selection of the work we made below, with more examples here.

“Exquisitely printed on a mix of heavy gloss and matt art papers, Issue One of The Road Rat is a beautiful thing. 244 pages (it weighs around 1 kilo) it is at once absolutely of the moment - Lewis Hamilton, the Aston Martin Valkyrie - yet simultaneously timeless as we dwell on the making of the modern Ferrari and the decline of the Mercedes SL. It’s not a place for hot takes but long-form, writing every bit as considered as our photography, illustration and design.”

For The Road Rat magazine subscription information, head over here.

 The opening spread.

The opening spread.

 The Col d’ Izoard.

The Col d’ Izoard.

 The Col du Galibier.

The Col du Galibier.

 The Col de la Bonette.

The Col de la Bonette.

Aston Martin Rapide AMR

I was recently commissioned by Aston Martin to photograph the stunning new limited edition Rapide AMR for it's timely launch..

"As Aston Martin returns to Le Mans to defend its 2017 victory at the iconic 24-hour race, so the latest car in the exciting new AMR stable has been unveiled. Following hot on the heels of the DB11 AMR, Aston Martin has revealed the limited edition Rapide AMR. This production version of the concept shown at Geneva last year is limited to just 210 cars."

As is often the way when photographing a sought after production vehicle, you have to achieve a lot in a short period of time, so a big thank you to my 'pit crew' for their hard work and focus during a long studio day.

Below is a selection of the work, with larger versions available here.

Aston Martin DB4 G.T. Continuation

They're building cars in Newport Pagnell again!

I was recently commissioned to photograph the stunning DB4 G.T. Continuation for Aston Martin Works Service. I spent a day at the original Aston Martin facility in Newport Pagnell, recording the final stage of the build taking place, followed by a test and set up day at Millbrook Proving ground.

"Ahead of its time – and more often than not the opposition – the DB4 G.T. was a new breed of competition car. In modern parlance it was a homologation special, highly evolved from the series production DB4 on which it was based. Blessed with intensified performance and enhanced agility, the DB4 G.T. stole a march on both Jaguar and Ferrari, cementing Aston Martin's position as makers of world-beating GT cars.

Now, Aston Martin Works are making history by celebrating one of Aston Martins greatest cars with a special series of 25 Continuation cars."

I love everything about this stunning car.. the look, the sound and yes.. the smell. 

Client : Aston Martin Works Service.     Agency : Freestone.

Chasing Shadows For Land Rover On The Isle of Skye

Back in January I spent a week on the Isle of Skye, and the reason I was there was to shoot the all new Land Rover Discovery 5.

We had a week of suitably wet and wild weather, which of course added realism and drama to the imagery, with the added bonus that the Discovery’s colour, Namib Orange, perfectly complemented the brooding grey skies and rich warm colours of the Scottish winter landscape.

Much of what I shot has appeared in Land Rover’s OneLife magazine, in a 12 page article entitled ‘Chasing Shadows’ which tells the story of my time with the car, and also my thoughts on landscape photography and equipment, it also documents a part of my journey around the island that I’ve come to know and love so well.

Client : Land Rover.    Agency : Spark44.    AD : Dan Delaney.

Below is a selection of spreads from the OneLife article, with larger versions of the images here.

Land Rover Reborn

I was recently commissioned to shoot a story for Land Rover’s Onelife magazine, on the Reborn project.

Spending two days in Land Rover’s Solihull manufacturing site, surrounded by history and witnessing first hand the amazing restoration work that the Reborn team are undertaking, was a real honour. 

For anyone who has a passion for Land Rovers, seeing these beautiful Series 1 vehicles up close, and understanding exactly where the Land Rover story started, is highly recommended, and you can do just that on a Land Rover Reborn Tour. You can also find more information on the Land Rover Reborn project here.

Client : Land Rover.    Agency : Spark44.    AD : Dan Delaney.