Lotus Cars - From Norwich to Nevada

Tight timings and impossible logistics often mean we have to be smart when producing images to a brief. This commission for Lotus Cars being a perfect example.

The project involved shooting six iconic sports cars over ten long days in a coved studio in Norwich, close to the Lotus HQ, and then compositing them with various back plates of locations from around the world. Careful attention was paid to match the lighting of each car to the background that each would inhabit, with CGI rendered reflections, studio shot wheel spins and virtual rig motion blur adding the touches of realism that would ensure that each car felt embedded in to it’s chosen environment.

A big thank you to the good folk at ThirdEye Studio in London, for their CGI and post production expertise and to assistants Brian and Steve for their hard work in the studio.

Client : Lotus Cars.    CGI & Post production : ThirdEye Studio.    ADs : Julian Calverley & Matt Haysom.

Below is a small selection of the work produced..

The cropped imagery below hints at the level of detail achieved when shooting with the high end medium format digital back..

Treasured Cameras

Some of my most treasured cameras, which I originally photographed for a promo piece timeline story..

From left to right.. Nikon F2A, ALPA 12 STC, Ebony SV45TE, Nikon F3, Contax 645 AF & ALPA 12 SWA.

For those asking.. the minimalist ball-head is the Acratech Ultimate Ball-head.

Aston Martin Rapide AMR

I was recently commissioned by Aston Martin to photograph the stunning new limited edition Rapide AMR for it's timely launch..

"As Aston Martin returns to Le Mans to defend its 2017 victory at the iconic 24-hour race, so the latest car in the exciting new AMR stable has been unveiled. Following hot on the heels of the DB11 AMR, Aston Martin has revealed the limited edition Rapide AMR. This production version of the concept shown at Geneva last year is limited to just 210 cars."

As is often the way when photographing a sought after production vehicle, you have to achieve a lot in a short period of time, so a big thank you to my 'pit crew' for their hard work and focus during a long studio day.

Below is a selection of the work, with larger versions available here.

Enigma - New Work for Bletchley Park

Further new work for Bletchley Park is now live, commissioned by the good folk at Rose Design. 

I was asked to photograph the Enigma machine. It was both fascinating and a privilege spending time with such a historically significant piece of equipment, one which was indirectly responsible for saving so many lives through the cracking of it's code. 

Bletchley Park is the home of the World War II Codebreakers. There’s so much world changing history that’s been made here, it is a truly fascinating place. I’d recommend that anyone with an interest in World War II, coding or code breaking, spend a day here.

Client : Bletchley Park.    Agency : Rose Design.    AD : Garry Blackburn.

One of the ads is shown below, with more of the work available to see here.

Ad Campaign For Amgen

This Ad campaign for Amgen took us to Iceland, Bavaria and Morocco.

For logistical reasons we shot the various locations first, and then shot the models in the studio in London, carefully matching camera heights, angles and lighting. The blood platelets were created in CGI and added in post.

Agency : CDM London.    Client : Amgen.    AD : Shauna Kealy.   Location scout : Leonora Sheppard.   Post and CGI artist : Kai Bastard.

Below is a selection of the finished ads..

New Interiors Ad Campaign For Marston & Langinger Paint

Ad campaign shot recently for Marston & Langinger, promoting their range of beautiful paint.

We built a series of minimally propped room sets with expansive wall space, creating the perfect stage for these gourgeous paint finishes to sing from.

The ads are currently appearing in World of Interiors, Elle Decoration, Country Living and House and Garden.

Client : Marston & Langinger.    AD : Alison Jenkins.    Stylist : Alison Jenkins.

A selection of finished ads..